Edgar Allan Poets – Noir Rock Band | Reckless Hallows Self Titled Album is Out Now
Reckless Hallows Self Titled Album is Out Now

Good Day Noir Family,
Reckless Hallows’ self-titled debut album introduces listeners to a band deeply rooted in the authenticity of live instruments and raw energy.

Reckless Hallows Self Titled Album is Out Now

The opening track, Another Day, kicks off with a guitar riff and a drumbeat that almost feels like a march, drawing you into their world with a sound that’s powerful and direct.

The guitar tone has just the right amount of grit, setting the tone that this band is here to play, not to rely on digital shortcuts or production tricks.

Break U follows up with a vibe that evokes the nostalgic tones of the ’90s, with the warmth of overdriven guitar amps that transport you back to the days when rock dominated the airwaves.

The song is melancholic and uplifting, tapping into an emotional depth that feels familiar.

Then there’s EGBOK, which starts off with a hint of Smashing Pumpkins before shifting into something uniquely their own.

Reckless Hallows seems to balance influences well, blending elements of The Cure, Foo Fighters, and other alt-rock titans into a sound that feels suspended between past and present.

Dark Frames brings a psychedelic edge to the mix. The high-frequency emphasis in the production gives the overall album a razor-sharp quality that slices through with a unique intensity.

It’s a bold approach that works in the band’s favor.

Beautiful Lies shifts gears, offering a softer, ballad-like moment that highlights the band’s versatility.

With a style reminiscent of David Bowie’s more introspective work, this track showcases their ability to craft songs with emotional nuance and a more delicate touch.

IDM introduces an infectious chorus that might remind some listeners of Weezer, with its catchy melody and upbeat feel, while Blind Side closes out the album on an introspective note.

The acoustic ballad is rich with emotion and features a subtle psychedelic touch that keeps things interesting throughout.

Reckless Hallows have crafted an album that feels grounded in rock’s golden eras and modern in its execution. It’s a strong debut that demonstrates the band’s range, from hard-hitting tracks to softer, more reflective moments.

Reckless Hallows Self Titled Album is Out Now!


Instinctive!


Reckless Hallows is the embodiment of heartache, hope, and redemption in the world of alternative indie music. With roots firmly planted in 90s nostalgia, their sound blends the timeless elements of Tom Petty and Elvis Costello with a modern twist reminiscent of The Gaslight Anthem and Hot Water Music. The band’s music is architecturally influenced by The Cure, The Smiths, and Soundgarden, creating a fusion that’s both familiar and refreshingly unique.

Ray Lara, the introspective songwriter and lyricist, is supported by a seasoned group of musicians from the Austin music scene. Lead guitarist Dean Dooley brings scorching riffs akin to Mike Campbell, while Jacob Mathews’ bass lines groove alongside his powerful backing harmonies. Jon Sevier’s drumming adds a driving yet graceful beat, completing their sound.




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