Dream No6 is Asta Bria’s Single Out Now
Good Day Noir Family,
Asta Bria’s Dream No6 opens with a resonant guitar strum and steady rhythm that immediately establishes a sense of intensity and direction.
Dream No6 is Asta Bria’s Single Out Now
The music then pulls back for the first verse, leaving space for Bria’s rich and polished vocals to shine.
The production here is masterful—her voice feels immediate and present, as if she were right there in the room, sharing her story directly with the listener.
Bria’s vocal tone is pure and crystalline, and she sings with an authenticity that makes the lyrics feel meaningful and honest. There’s an introspective quality to Dream No6 that invites listeners to explore its layers of depth, each one carefully crafted.
The arrangement is beautifully enhanced by the inclusion of cellos and strings, which move gracefully through the track, adding a subtle, nostalgic undercurrent.
These delicate touches bring a poetic layer to the song, lifting it to an emotional high that lingers long after the last note.
With a refined style and powerful composition, Dream No6 reveals Asta Bria as an artist with a keen understanding of craft and expression. Her music is intense and sophisticated—a true discovery.
Dream No6 is Asta Bria’s Single Out Now!
Poetic!
As an expat, a mother, and a brilliantly talented musician who found her sound and voice, Asta Bria knows all about this. She has arrived at a point in her career she always knew she’d reach, where a long, musical journey has led her to deliver a stunning collection of songs imbued with joy and warmth, songs that showcase her range of talents; composer, virtuoso violinist, lyricist par excellence, canny crafter of pop gems. Truly, she has never been happier, nor shone as brightly as an artist, and the journey she undertook to get here taught her many things. “I am alive”, she sings over and over on ‘So-Hm’ and up there, on stage, she truly is.
Her journey began during a childhood spent behind the Iron Curtain, in Vilnuis, Lithuania. Snatches of western pop were caught on scratchy radio broadcasts and committed to tape, to be cherished and savoured. George Michael, Elton John, and The Beatles all gave glimpses of another world, one of freedom, and the young Bria was captivated. Inspired, she entered a local violin contest aged just 11; naturally, she won. But her real education began aged 14, at the prestigious music conservatory of Vilnius, where the size of this other world finally became apparent.
Jazz, pop, and classical composers opened her eyes and ears to possibility, and she would spend days studying hard and nights dancing till dawn, Manhattan Transfer sitting alongside Vivaldi in shaping her tastes and dreams. But Vilnius was too small to satisfy her insatiable appetite for knowledge – for life – and so she moved again; first to the Royal Conservatory of Brussels and then London’s Notting Hill, the place where she found her true self and her family, and one she still calls home.
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