Devil’s Right Hand is Paul Cafcae’s Single Out Now
Good Day Noir Family,
From the first few beats of Devil’s Right Hand, it’s clear that Paul Cafcae knows how to grab your attention.
Devil’s Right Hand is Paul Cafcae’s Single Out Now
The song opens with a slow, pounding rhythm that brings to mind the laid-back but heavy vibes of classic blues and noir.
The cadence of the drums is infectious. Then, Cafcae’s megaphone-like vocals enter, bringing a sense of nostalgia and rawness that draws you back to a different time—one where the streets of New Orleans feel just a bit more alive, a bit more haunting.
The track, at its core, feels like a journey through the deep south, with its bluesy undertones and dark, mysterious atmosphere.
The verses carry a tight, controlled energy, almost as if the song is holding its breath, before bursting into the chorus where all the tension is released. It’s in these moments that the song takes on an almost wild character, moving freely like a restless spirit.
Devil’s Right Hand feels timeless and contemporary—an alternative rock and blues fusion. The song’s foundation is rooted in the traditional blues feel, but Cafcae’s use of modern instrumentation and production gives it an unmistakable edge.
The guitar solo, in particular, feels like a nod to classic rock, with its trembling, echoed tones creating an effect that feels like a mirage, pulling the listener deeper into the song’s world.
The lyrics are classic blues—rich with storytelling, mystery, and a hint of danger. As the narrative unfolds, you can almost see the smoky streets, feel the tension of a life lived on the edge.
Devil’s Right Hand is a song that sticks with you, one that gets under your skin and stays there, making you want to hit play again and again.
Devil’s Right Hand is Paul Cafcae’s Single Out Now!
Unforgettable!
Devil’s Right Hand is Paul Cafcae’s Single Out Now
As on previous Paul Cafcae singles, Ethan Tilbury (@ethantilbury) provides upright bass, while Diana Herrera (@zafdii) handles drums, with both contributing backing vocals on the chorus. The track was recorded and mixed by Andy Dmytryshyn (@nailshitter) at School House Studios in Hamilton, Ontario, and mastered by Jamie King (@machinejk76). The single’s cover features a photo by Alex Korin Photography.
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