3rd is Asaf Ashkenazy’s Album Out Now
Good Day Noir Family,
Asaf Ashkenazy’s 3rd is an album that demands to be listened to in its entirety. Each track flows into the next, creating an immersive experience that transports the listener deep into his world.
3rd is Asaf Ashkenazy’s Album Out Now
The Israeli artist offers a musical journey full of diverse influences and subtle surprises, ranging from upbeat acoustic vibes to reflective, stripped-back moments.
The opening track, They Can’t Stop The Music, paves the way with its laid-back, feel-good groove. The song carries a distinct Jack Johnson vibe—smooth guitar lines and optimistic lyrics.
There’s a warmth to the sound, as though Ashkenazy is inviting you into a sunny day, the kind that can turn even a simple moment into something memorable.
Next, There’s No Way shifts the mood with a cool guitar sound instantly grabbing your attention. The strumming is intense and direct, reminiscent of the raw energy found in the music of Grant Lee Buffalo. The song builds with an urgency, yet maintains a sense of openness and airiness that makes it both powerful and relaxed.
With Sunny Day, Ashkenazy introduces an almost cinematic feel. The track opens with a delicate piano melody. His voice has a kind of ease to it that calls to mind the likes of Lou Reed, and the lyrics immediately stand out: “I’ve been walking where the streets have no name,” a line that echoes U2.
Who Do You Love brings a return to the album’s refined atmosphere. It’s a song with an understated elegance, showcasing Ashkenazy’s knack for crafting songs that are gentle yet emotionally resonant.
His vocal delivery here is soft but convincing, as he navigates a delicate landscape of melody and emotion.
It Was a Joke adds is a true highlight of the album. This track transported me straight to the 80s with its rhythm and punchy instrumentation.
There’s a certain joy and freedom in its sound, making it the perfect moment of release in the middle of the album’s emotional arc. It’s easy to see why this one could become a favorite for many listeners.
How takes an interesting turn with its folk-pop qualities. The song exudes an earthy charm with its blend of popular and ethnic vibes that immediately reminded me of traditional Irish music.
It’s an intriguing shift in direction, but Ashkenazy’s ability to tie it all together makes it feel right at home in the album’s progression.
The album concludes with Angel, a beautiful, minimalist track that pairs Ashkenazy’s pure voice with a simple guitar arrangement. The song showcases the artist’s ability to strip everything back, proving that sometimes less is more. The melody stands solid on its own, leaving a lasting impression as the album fades out.
It’s an album that invites you to stay and listen, and for those who do, there’s a lot to discover. Whether you’re drawn to the breezy, optimistic tones or the more introspective ballads, Ashkenazy has crafted something that feels deeply personal yet universally relatable.
3rd is Asaf Ashkenazy’s Album Out Now!
Therapeutic!
Hailing from Givatayim, Israel, Asaf Ashkenazy is a multi-talented artist who not only serves as the writer and composer of his music but also takes on the role of producer. Collaborating with the likes of Shahar Kaufman, Asaf brings his vision to life with the help of talented musicians such as drummers Shai Baruch and Shahar Haziza, bassists Tzook Dvorsk and Michael Frost, keyboardists Moshe Levi and Gidi Hertz, as well as vocalists Isla Cohen, Nophar Levinger, and Odeta Mevuye. With a diverse range of influences including Neil Young, Eric Clapton, and Dire Straits, Asaf Ashkenazy’s musical style is a unique blend of rock, folk, and pop that captivates audiences worldwide
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